The initial single-pickup production model appeared in , and was called the Fender Esquire. Fewer than fifty guitars were originally produced under that name, and most were replaced under warranty because of early manufacturing problems. In particular, the Esquire necks had no truss rod and many were replaced due to bent necks. Later in , this single-pickup model was discontinued, and a two-pickup model was renamed the Broadcaster. From this point onward all Fender necks incorporated truss rods. The Esquire was reintroduced in as a single pickup Telecaster, at a lower price.
The so-called Nocaster was a short-lived variant of Telecaster. Produced in early to mid, it was the result of legal action from the Gretsch company over the guitar's previous name, the Broadcaster Gretsch already had the "Broadkaster" name registered for a line of drums. In the interim, before Fender had come up with an alternate name and printed appropriately revised headstock decals, factory workers simply snipped the "Broadcaster" name from its existing stock of decals, so guitars with these decals are identified simply as "Fender", without any model name.
By the summer of the guitar was officially renamed as the Telecaster and has been known as such ever since. The term Nocaster was coined by collectors to denote these transitional guitars that appeared without a model name on the headstock. There are no official production numbers, but experts estimate that fewer than Nocasters were produced. Fender has since registered Nocaster as a trademark to denote its modern replicas of this famous rarity.
In , Fender released the innovative and musically influential Precision Bass as a similar looking stable-mate to the Telecaster. This body style was later released as the Fender Telecaster Bass in after the Precision Bass had been changed in to make it more closely resemble the Fender Stratocaster guitar. At the time Leo Fender began marketing the new, more refined Stratocaster in , he expected it to replace the Telecaster, but the Telecaster's many virtues and unique musical personality have kept it in demand to the present day.
Leo Fender's simple and modular design was geared to mass production and made servicing broken guitars easier. Guitars were not constructed individually, as in traditional luthiery. Rather, components were produced quickly and inexpensively in quantity and assembled into a guitar on an assembly line.
The bodies were bandsawn and routed from slabs, rather than hand-carved individually, as with other guitars made at the time, such as Gibsons. Fender did not use the traditional glued-in neck , but rather a "bolt-on" neck which is actually affixed using screws, not bolts. This not only made production easier, but allowed the neck to be quickly removed and serviced, or replaced entirely.
In addition, the classic Telecaster neck was fashioned from a single piece of maple without a separate fingerboard, and the frets were slid directly into the side of the maple surface. This was a highly unorthodox approach in its day as guitars traditionally featured rosewood or ebony fingerboards glued onto mahogany necks. The electronics were easily accessed for repair or replacement through a removable control plate, a great advantage over the construction of the then-predominant hollow-body instruments, in which the electronics could be accessed only through the soundholes.
The Fender "Squier Series" Stratocaster—Not a Typical Squier! | Spinditty
In its classic form, the guitar is simply constructed, with the neck and fingerboard comprising a single piece of maple, screwed to an ash or alder body inexpensively jigged with flat surfaces on the front and back. The hardware includes two single coil pickups controlled by a three-way selector switch, and one each of volume and tone controls. The pickguard was first Bakelite , soon thereafter it was celluloid later other plastics , screwed directly onto the body with five later eight screws.
The bridge has three adjustable saddles, with strings doubled up on each. In its original design nearly all components are secured using only screws body, neck, tuners, bridge, scratchplate, pickups to body, control plate, output socket , with glue used to secure the nut and solder used to connect the electronic components.
With the introduction of the truss rod, and later a rosewood fingerboard, more gluing was required during construction. The guitar quickly gained a following, and soon other, more established guitar companies such as Gibson, whose Les Paul model was introduced in , and later Gretsch, Rickenbacker, and others began working on wooden solid-body production models of their own.
The original switch configuration used from to allowed selection of neck pickup with treble tone cut in the first position for a bassier sound, sometimes called the "dark circuit" for its muffled sound , the neck pickup with its natural tone in the second position with no tone, and in the third switch position both pickups together with the neck pickup blended into the bridge, depending on the position of the second "tone" knob.
The first knob functioned normally as a master volume control. This configuration did not have a true tone control knob. In the pickup selection circuit was modified by Fender to incorporate a real tone control. Between and the neck could be selected alone with the "dark circuit" treble-cut sound, which disabled the tone control knob, in the middle switch the neck could be selected alone with the tone control and finally the bridge could be selected with the tone control. Although this provided the player with a proper tone control, this assembly did away with any sort of pickup combination.
Eventually from late Fender again modified the circuit for the final time to give the Telecaster a more traditional twin pickup switching system: Typical modern Telecasters such as the American Standard version incorporate several details different from the classic form. They typically feature 22 frets rather than 21 and truss rod adjustment is made at the headstock end, rather than the body end, which had required removal of the neck on the original the Custom Shop Bajo Sexto Baritone Tele was the only Telecaster featuring a two-octave fret neck.
The three-saddle bridge of the original has been replaced with a six-saddle version, allowing independent length and height adjustment for each string. The long saddle bridge screws allow a wide range of saddle bridge positions for intonation tuning. The stamped metal bridge plate has been replaced with a flat plate, and the removable chromed bridge cover often called the "ashtray" for its secondary use has been discontinued for most models; it improved shielding but prevented players from muting strings at the bridge and made it impossible to pick near the saddles to produce the characteristic Telecaster 'twang'.
During the CBS era in the s, the Telecaster body style was changed to a new "notchless" shape, having a less pronounced notch in the crook where the upper bout meets the neck. The notchless body style was discontinued in Other features included a "Freeflyte" hardtail bridge and die-cast tuning machines with pearloid buttons. Schultz in , production ceased on the Elite Telecaster and other Elite models.
Fender Japan made its own version of the Elite Telecaster in late , which featured a fret neck with medium-jumbo fretwire and a modern 9. The Telecaster is known for its ability to produce both a bright, rich cutting tone the typical Telecaster country twang and a mellow, warm, bluesy jazz tone depending on the selected pickup , respectively "bridge" pickup or "neck" pickup, and by adjusting the tone control.
The bridge pickup has more windings than the neck pickup, hence producing higher output, which compensates for a lower amplitude of vibration of the strings at the bridge position. At the same time, a capacitor between the slider of the volume control and the output allows treble sounds to bleed through while damping mid and lower ranges. The solid body allows the guitar to deliver a clear and sustaining amplified version of the strings' sound; this was an improvement over previous electric guitar designs, whose resonant hollow bodies made them prone to unwanted acoustic feedback when volume was increased.
These design elements intentionally allowed guitarists to emulate steel guitar sounds, as well as "cut-through" and be heard in roadhouse Honky-Tonk and big Western Swing bands, initially making this guitar particularly useful in country music. Its wide range of tonalities allows the Telecaster to be used successfully for many styles of music including country , pop , rock , blues and jazz. The Telecaster has long been a favorite guitar for "hot-rod" customizing.
Several variants have appeared throughout the years with a wide assortment of pickup configurations, such as a humbucker in the neck position, three single-coil pickups and even dual humbuckers with special wiring schemes. The Deluxe Blackout Tele was also equipped with three single-coil pickups, a "Strat-o-Tele" selector switch and a smaller headstock than a standard Telecaster. After carefully separating the neck from the body, he found no pencil mark, suggesting this Fender was made in With mass-produced items like Fender guitars, they're made of component parts. And one of the geniuses of Leo Fender's inventions was to bolt the neck on with four very simple bolts and a neck plate.
It makes removing these extremely simple.
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And at the same time, it made for very easy repair when these instruments needed it. But before he began taking out the screws from the plate to remove the guitar's neck, Kerry asked the woman for permission to operate. Kerry then began removing the screws that held the guitar's neck to its body, raising a question for everyone who owns a Fender electric guitar: Is this a maneuver you should try on your own? He had a good reason for urging caution. I bought a squier body with the exact same stamp.
Mexican Fender Serial Numbers
The blue date stamp is unreadable. I removed the backplate, all sprayed, the input jack, also sprayed, i do not believe that the front has ever been removed. Wood Body is cheaper too, not ash or alder, holes from pickguard can tell, they get loose fast. I recently purchased a Squirt that was made in the Cail. I have a fender stratocaster "Squire series" MIM black with a maple neck, black logo with squire series on the ball, it also has a 3 ply tortoise pickgard, has anyone ever seen one of these with a 3 ply pickgard?
I have one of these and it is hands down my favorite strat. I've owned many different Fenders, and this one has the hottest pick ups! Compared to my American Deluxe, it blows it out of the water. It was my first guitar, and I will never get rid of it. Fender also made an American, Mexican and Korean version of the Squier Series all of which are nice guitars and of course in that order.
The American is very difficult to locate, I'm not sure how many were made, I would guess not that many. But them all up if can find them. I've got several of each and love them. The logo is solid black and says Squier by Fender Stratocaster.. It has a maple neck comparable to any Fender Stratocaster ive played and a very solid body compared to the other newer chinese Squier that i own. There is an S stamped on the inside of the pickguard. No other serial numbers.. Ive been unable to find much info on this.. I t was very dirty and had obviously not been played in years.
Identifying a Mexican Strat based on serial number question
After cleaning it up.. I own a 'spuie'r series' strat for several years and i am very happy with the quitar. Yes, I replaced the pickups but the feel of the neck is awsome! Will never eve sell it.. I have a question: Now I'm really confused. I have a guitar that says "Stratocaster" on the headstock. It also says "Made in Korea". The serial begins "CN" and the numbers after that identify the guitar as a model. Clearly this is a Squier. But you said all Squiers will have a solid black Fender logo. Has anyone else ran across one of these?
Will a se series squier neck from the 90'- the era fit a Jimmy Vaughn mexican strat? I bought a Squier 98 made in Mexico - California edition. It plays and sounds sweet. This guitar still has the Squier logo with no Fender logo on the headstock. I compared the two for quite a while through a fender amplifier.
The Squier had far better tone and a better neck for really gliding up and down with smooth lead. So rather than be a fool who is concerned with " the label. As someone above stated learn to play really well and maybe you will be blessed with a sponsorship from Fender. A gold with black out line Squire logo. Made in Mexico decal on the back and solid maple neck. Yep this is exactly the guitar that's for sale.
That's the head stock. Your the best, I like knowing what I'm getting rather then getting what I thought I was getting. The body and neck are solid and the hardware is rusty. I recently picked one up in a pawnshop. Maple fretboard, red body. Its cool seeing all the positive comments regarding the "Squier Series". My opinion is just that. Most people who end up with one of these seem to do so in the beginner stage of their playing days.
I think that has a lot to do with their positive views of these particular Fenders. Seasoned guitar players who've owned and played more guitars than a woodchuck can chuck have long since established personal standards of what makes one guitar better than another. Thats fine and usually helpful. Fender players can be fiercely loyal and highly knowledgable about their guitars - and for good reason! Buuuut, sometimes that loyalty can be blinding. Theres no better example than anyone who belives the only true Fenders are the ones made in the U. All others be damned.
Im not a label snob or anything. I realize there are diffrrences across the product line. But the Fender company would never and should never label a product to be anything than what it represents. Its nice to have the big, grey Fender logo to look at on the headstock.
But that's hardly the reason it feels, and plays, and sounds as amazing as it does. People have a habit of buying one of these and immediately bastardize it before even playing it. I've been told how cheap the electronics are and that the laminate body is less than desirable. However, the sum of its whole as it came off the showroom floor is, to me, the key to what makes my so-called cheaply made budget guitar sound the way much more expensive Strats wish they could sound.
I was a teenager in when I broke my Piggy bank and bought me a brand new American Standard Stratocaster in 2-tone sunburst. I loved that guitar. It was my only electric for a few years before I started building my very own guitars and bought a few broken ones to fix on eBay. When I got a decent hand at building I sold my American Standard for way too cheap and regretted it the day after. I mean it was my first real good guitar and the one I learned to play on. A couple of the guitars I bought on eBay and fixed were japanese Gibson copies from the late 70's - early 80's Burny brand which, to me, are as good if not better than the real thing.
So when I saw a local ad for a black japanese Strat I went to check it out. The guitar was decent, very good, it had the perfect neck satin, thin but not too thin, rosewood fingerboard and faultless workmanship and played and sounded great.
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Didnt care much fof the bridge and tuners though. It was a Fender Squier series. I bought the guitar. Now the seller had another guitar in a corner of the room. I asked him about it. He told me "yeah, I'm selling it too but I haven't listed it yet". Headstock said Squier silver series. It was black with a maple neck. Apparently it was a I tried it and it hit me: I bought it too. When I arrived home, my wife said "you already have so many guitars I hope you didn't buy another".
Anyway, some of these old Squiers or Fender-Squiers are true gems for the price, they just might need upgraded pots and hardware. I picked a 95 Squier Series up at a guitar show today that had a nice set of SA's in it. Once I got it home I noticed "Squier Series" at the top of the headstock was lightly sanded off.. I kinda panicked thinking I overpayed for a guitar I played for 10 mintues and fell in love with. It's an excellent guitar!!!! It has a single ply pick guard. Someone gave it to my dad and he was going to try to sell it.
I saw the squire series and I discouraged him by explaining a squire was not a true fender and he would probably end up getting like 50 buck due to the condition. The persone who gave it to him did not take great care of it I think - the pickup selector is kind of Finicky and volume pot was a little crackly. So he asked if I wanted it and I said yeah. I've got to say, it does not feel like a cheapo guitar when I play it. And the neck just feels awesome. One of the smoothest and most confortable necks I have ever played on. I just love it. On this neck they are totally smooth.
I don't know the technical term but they taper smoothly down to the edges of the neck which make for very smooth playing. When you slide your hand up and down the kneck when you are playing you can't even feel the ends of the frets. I don't know if it is significant or not but another detail about the neck that I never see on othe squires is that it has the dark stripe along the back which I think is related to the truss rod.
Thanks for your interesting article. Having buy exactly the guitar that you describe, I ask myself for years if I really had a real stratocaster: I'm glad for all the information you provided and while it is not now my main guitar I have a Les Paul Trad. I have to say that this Strat "squier series" '94 is very pleasant to play. I bought one of these about 3 months ago and actually it is the best guitar I have ever played: Electronic components are of the lowest quality as well as the bridge and tuners As a user said before, I've found mine very very light and when I play it unplugged you can hear the sound resonating in the body.
I would know which wood is the body made of. I have another guitar like Sander and Devlin HSS, 3-ply pickguard, silver logo and a single tone pot - broken and freely rotating on mine. Tokai, Fernandes etc, below the 50k yen level during the 70's and 80's. I was quite surprised to see them on my '95 - '96 guitar. I have the same strat as Devlin: That makes this story incomplete. Unfortunately there are only a few information from this era left. What we can say sure: The instrument is a Standard Strat, the Squier series instruments eventually became Standards or the Traditional series.
I purchased my Fender Squire in Bought it at Guitar Center for I only buy guitars according to how they play, action,sound etc.
Mine is white, not my fav. It played better than a Fender Strat they wanted Nice lookin guitar but the Squire definitely outplayed it. I own Certain Ibanez electric and acoustics, Alvarez acoustic, Taylor acoustic. The Squire and Taylor play and sound better than any I have played. I recently had Seymour Duncan pickups installed and im very very happy with my squire.